The discovery of hundreds of unmarked graves at an Indian residential school in Canada in 2021 was just the catalyst for 鈥淪ugarcane.鈥�
Julian Brave NoiseCat and Emily Kassie, the filmmakers behind the Oscar-nominated documentary, spent years investigating the truth behind just one of the institutions. 鈥淪ugarcane,鈥� now streaming on Hulu, paints a horrifying picture of the systemic abuses inflicted by the state-funded school and exposes for the first time a pattern of infanticide and babies born to Indigenous girls and fathered by priests.
In the year since it debuted at the Sundance Film Festival, 鈥淪ugarcane鈥� has screened at the White House, for Canadian Parliament and for over a dozen indigenous communities in North America, sparking a grassroots movement and reckoning to find the truth about the other schools. It also marks the first time that an Indigenous North American filmmaker has received an Oscar nomination.
From the 19th century until the 1970s, more than 150,000 First Nations children were required to attend state-funded Christian schools as part of a program to assimilate them into Canadian society. They were forced to convert to Christianity and not allowed to speak their native languages. Many were beaten and verbally abused, and up to 6,000 are said to have died. Nearly three-quarters of the 130 residential schools were run by Roman Catholic missionary congregations
Canada鈥檚 residential schools were based on similar facilities in the United States, where Catholic and Protestant denominations operated more than 150 boarding schools between the 19th and 20th centuries, according to researchers, that also were home to rampant abuse.
鈥淚t鈥檚 too often that we look everywhere else in the world to horrors and abuses happening, and that鈥檚 important, but Native issues are rarely the issue of the day, and we believe that they deserve to be,鈥� Kassie said.
鈥淭his story is the genocide that happened across North America, and we鈥檝e never grappled with it. Native people have rarely been the focal point of that kind of countrywide dialogue. We hope that 鈥橲ugarcane鈥� helps to change that.鈥�
The unexpectedly personal journey to 鈥淪ugarcane鈥�
As an investigative journalist and documentarian, Kassie had spent a decade making films about human rights abuses all over the world, from Afghanistan to Niger, but she鈥檇 never turned her lens to her own country. When the news broke about the unmarked graves, she felt drawn to the story and reached out to NoiseCat to see if he鈥檇 want to help. They became friends as cub reporters in New York who just happened to share neighboring desks.
鈥淚n the years since, Julian had gone on to become an incredible writer and thinker and journalist focusing on indigenous life in North America. It felt like the natural fit,鈥� she said.
While he was mulling it over, she went looking for a group to focus on and landed on St. Joseph鈥檚 Mission near the Sugarcane Reservation of Williams Lake in British Columbia. Unbeknownst to her, that was the school NoiseCat鈥檚 family attended. He鈥檇 heard stories about his father being born nearby and found in a dumpster. Over the course of making the film they鈥檇 discover that he was actually born in a dormitory and found in the school鈥檚 incinerator.
鈥淚t was a process for me to ultimately decide to tell the story in a personal and familial way,鈥� said NoiseCat, who during the making of the film lived with his father for the first time since he was around 6 years old.
鈥淚t became very clear that he had these unaddressed questions from his birth and upbringing, and that I was in a position to help him ask those questions and in so doing, to address some of my own enduring pains and complications from his abandonment of me,鈥� NoiseCat said. 鈥淭he big thing, though, was going to the Vatican with the late Chief Rick Gilbert and witnessing his incredible bravery.鈥�
The impact of 鈥淪ugarcane鈥�
鈥淲e鈥檝e just been incredibly fortunate that this film has had real impact,鈥� NoiseCat said. 鈥淚 was really scared that telling such a personal and sometimes painful story might be a harmful thing. But really, thankfully, it鈥檚 been a healing thing, not just for my family and our participants, but for Indian Country more broadly.鈥�
Over the last year as the film has played at various festivals and for Indigenous communities on reservations, Kassie said that more survivors have been coming forward with their stories.
In October, former President Joe Biden also formally apologized to Native Americans for the 鈥渟in鈥� of a government-run boarding school system that for decades forcibly separated children from their parents, calling it a 鈥渂lot on American history.鈥�
鈥淭his is the origin story of North America,鈥� Kassie said. 鈥淚t鈥檚 the story of how the land was taken by separating six generations of kids, indigenous kids from their families鈥� (and) most people don鈥檛 know.鈥�
Kassie noted that while 鈥淪ugarcane鈥� is inspiring conversations within communities, it comes at a political moment where governments are not actively supporting continued investigation and accountability.
An historic Oscar nomination
In a film industry with deep roots in the Western genre and problematic, racist depictions of Native Americans as impediments to westward expansion, authentic representation of indigenous stories on screen is still in the early days. In 97 years of the Oscars, no Native American person has ever won a competitive acting prize. Lily Gladstone, who is an executive producer on 鈥淪ugarcane,鈥� was passed over last year for best actress.
When the Oscar nomination came through for 鈥淪ugarcane,鈥� they made sure they had their facts right before touting its own historic nature: NoiseCat was indeed the first indigenous North American filmmaker to get one.
鈥淚t鈥檚 really special,鈥� he said. 鈥淎nd at the same time, it鈥檚 kind of shocking.鈥�
鈥淲e hope the film shows that there鈥檚 still so much about this foundational story in North America that needs to be known and therefore needs to be investigated,鈥� NoiseCat said. 鈥淭his film should be seen not as an ending, but a beginning to a real grappling with this story.鈥�
He added: 鈥淢ore broadly, there are so many painful, important, beautiful and sometimes even triumphant stories that come from Native people that come from Indian Country. It鈥檚 my hope that more Native stories and storytellers and films get recognized moving forward and get made.鈥�
If 鈥淪ugarcane鈥� is named the winner at the Oscars on March 2, NoiseCat promised it will be an acceptance speech to watch.
鈥淲e will make it a moment,鈥� NoiseCat said. 鈥淚f we win, I鈥檓 going to get up there, I鈥檓 going to say something, and we鈥檙e going to do it well too.鈥�
